Warrior (2011)

9/10. So I LOVE Rocky (1976). It's in my all time top ten movies. As far as fighting movies go, Warrior is now a close second.

It's mostly about two estranged brothers training and fighting their way through mixed martial arts battles (MMA), but the inter/intra-personal relationships are the real story here. Don't get me wrong the fights are intense and well choreographed, but they would fall flat without the drama going on behind the bouts.

Behind the camera, Miracle (2004) director Gavin O'Connor returns to the sporting world with a vengeance co-writing and directing a gritty movie about a broken family. Nick Nolte outdoes himself as the recovering alcoholic father of the two brothers. And like I said, the fighting sequences are excellently choreographed by J.J. Perry and are totally believable.

I'm shocked that this film bombed in the theaters only raking in $13 Million with a budget of $30 Million. I just hope that the DVD sales can make up for the loss because this film truly deserves recognition. Even critics like this movie, garnering it an 83% certified fresh rating on Rotten Tomatoes Tomatometer as of this posting.

And this movie has one of the best song placements of any film I've seen, climaxing with a live version of The National's "About Today". Listen to the song below, then watch the movie, I'm pretty sure the film will outdo whatever you picture going on in your head.

Cowboys & Aliens (2011)

5/10. No surprises in this genre mash-up blockbuster.

You can read the synopsis of this film on basically any movie site, as it was one of this summer's biggest films.

I like Jon Favreau, I like Daniel Craig, I like Olivia Wilde, however this film was just too silly, I couldn't suspend my disbelief enough to go along for the ride. I blame this on the writing. It is my understanding that Cowboys & Aliens was in development hell for a long time, and went through many rewrites (this is evidenced by the writing credits), but even super-writing team Orci, Kurtzman and Lindelof couldn't save this exercise in ridiculousness. Favreau's directing was crisp, but if you're going to combine two drastically different genres into one film, you need an exceptional script to make it believable. This one fell flat.

I would not recommend this film to anyone, it was just a below average outing upped a notch by all the money they put into it. Even the actors seemed like they weren't really trying.

As an aside, I would like to vent my frustration with the new all CGI monster's that seem to all look the same in today's movies. I call them the "J.J. Abrams Monster", as I feel it all started with Cloverfield. Tell me the alien from Cowboys & Aliens below doesn't look like some rehashing of an Abrams monster from, say, Super 8. Who knows, maybe I should blame Andy Chung.

The Turning Point (1952)

7/10. William Holden shines in this run of the mill fifties noir.

Edmond O'Brien heads up a city wide crime commission set to take down syndicate boss Ed Begley. William Holden is the cynical crime desk reporter who reluctantly joins the cause.

In all honesty this is a pretty forgettable story. a film that would have stood out a decade earlier, but was past it's prime on it's release. Aside from the well written dialogue, William Holden is this films saving grace.

Caught between his performances in Billy Wilder's Sunset Boulevard and Stalag 17, Holden outdoes everyone in this relatively unheard of noir. It's easy to see why, it's basically a rehash of early noirs, only with conservative camera work, and not-so-special art direction. The other players are well known but fail to offer anything exceptional. Maybe I'm prejudiced, as Holden is my favorite actor of his time, but he really earns the top billing he receives. I would have loved to see what could have been accomplished without what appeared to be director William Dieterle holding him back. I'm not badmouthing Dieterle, but he seemed to be running things like it was still the thirties or forties. It really took a modern innovator like Billy Wilder to let Holden cut loose and show his chops.

Oh and criminal standby Neville Brand makes a brief appearance as a hitman. Love that guy too.

So if you're a Holden fan like me, you should check this one out. If you're just looking for a good noir to watch, there's better stuff out there.

Cry Vengeance (1954)

6/10. Classic mid-fifties second-tier noir set in Alaska.

When ex-cop Vic Barron gets out of prison, he travels to Alaska seeking revenge on the mob boss whom he believes murdered his wife and child and framed him for bribery.

This film is Mark Stevens directorial debut. The actor best known for playing Olivia de Havilland's husband in The Snake Pit does an admirable job in helming his first feature, whilst portraying it's main role. There's nothing particularly memorable done on the back end of the camera, save some unique-for-it's-day aerial and dolly shots. The movie as a whole is probably pretty forgettable.

The cast does a standard job for mid-fifties noir. Skip Homeier stands out significantly as the despicable thug Roxey Davis, mostly due to his unique looks as opposed to any acting forte. The beautiful Martha Hyer does an average job portraying love interest Peggy Harding, but as I said before, nothing truly memorable. Mark Stevens is more stone-cold than anything, which is what the character called for.

The only real thing of note about this film is the fact that it's a noir story set in the lumberjack capitol of Ketchikan, Alaska. The two don't obviously go together in one's mind, but the writers manage to pull it off, primarily by having the central ensemble all hail from San Francisco.

SPOILER ALERT

I would have cared for this film much more had it followed classic noir and climaxed in a dismal ending. The writers however chose the happy route and all is resolved with no true consequences. So although this movie was noir in style, it was really just an average Hollywood thriller.